This meant that, theoretically, theater operators were limited only by their appetite to add extra speakers and amplification. ![]() Known in the industry as “object-based” sound technology, Atmos allowed for up to 128 distinct sound objects to be represented in a given scene, which could be routed to up to 64 different speakers.Ĭompetitors like Digital Theater Systems (DTS) soon followed suit, with the company boasting that its DTS:X technology could produce more individual audio feeds than Atmos, which was hard-capped at 64. ![]() With Atmos, the sounds in a theater could now come from distinct locations determined by the professional audio mixers that had arranged them. Platin Audio’s wireless home theater speaker system now handles Dolby Atmos McIntosh’s new $8,000 AVR: gigantic power, with a Dolby Atmos catch What is Dolby Atmos Music, and how can you listen to it at home and on the go?
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